London's Churches Face the Music

St. Paul's Cathedral

 You may have noticed a decline in religious attendance   this century. Either people don't have faith, they've   invented their own, they have no time, or they don't like   being told what to do. Or all of the above. 

 The problem with this from an architectural   preservationist's point of view is the number of empty   churches. Many are unused and deteriorating. Some have   been torn down already. And it's a sad loss because   ecclesiastical architecture is some of our best. You don't   have to be religious to recognize church buildings as   beautiful, awe-inspiring spaces. Without them, our cities   will be bland indeed. 

 Some churches have been repurposed for residential or   commercial use. Not everyone's happy about it. Some   Christians believe that a building, once consecrated, should   be used for worship only. They'd rather see a church torn   down than become condos. I'd argue that the "church" is its   people, not the building. Still, I can see the point of view.   I'm not happy when adaptive reuse means a former church is   unsympathetically altered. The way some churches are "rethought" is a little weird. 

How do we continue to use churches for the reason they were built, find a way to make them financially viable, and not destroy our architecture? The answer is increasingly to turn churches into concert facilities, either full or part-time. Churches are large venues, capable of seating crowds, and they often have acoustic systems installed already. A minimal amount of renovation can turn many into music centres.

An example: The oldest church building in London is St. Paul's Cathedral. (Every London should have a St. Paul's Cathedral.) Ours is the seat of the Diocese of Huron in the Anglican Church of  Canada. Designed in the Gothic Revival style by architect William Thomas, the building was dedicated February 25, 1846. Even if you're not religious, you should go inside. If you haven't, you're missing an architectural and historical treat. The interior reminds me of an old English church:

Postcard dated 1912 shows St. Paul's interior

In recent years, the congregation has dropped, what with fewer people living downtown and fewer people attending services. But now there's a new plan that will help the cathedral remain viable. It's going to be a "creative sector incubator," to "spur economic growth in the music sector, create a collaborative network involving music industry leaders, and help post-secondary graduates find employment in the industry."* If you don't know what that means, I'll bet you're not alone. I'm not sure what the end result will look like either. 

But Trinity Centres Foundation, a Montreal-based charity, will be developing a business plan in partnership with the cathedral and Diocese of Huron to be revealed later this year. The plan is supposed to keep the cathedral operational and help London keep its 2021 UNESCO City of Music designation.

This means the main sanctuary will be an "event space," which I hope won't change the sanctuary much, although they will be removing pews.** There will be dance, theatre and sound studios in the basement and offices with board rooms in the upper storeys and surrounding buildings. 

So long as the church doesn't change too much in appearance, especially on the exterior, I'm fine with this. I hope they don't remove all the pews; other seating is more comfortable but pews look so churchy.  And I hope the "creative sector" doesn't depart too much from traditional ethics. I'd prefer not to see exotic dancers in the transept. 

Bishop Cronyn 

Reading about all this made me think about other churches used as concert halls. One of them - for a while - was Bishop Cronyn Memorial Church. Consecrated on December 14, 1873 on the southeast corner of Queens Avenue and William Street, the church was built in memory of the first Bishop of Huron, Benjamin Cronyn, and designed by Toronto architect Henry Langley. This beautiful building with ivy-covered walls and original Victorian stained glass closed in 2015, another victim of declining church involvement.

For a while it looked like Bishop Cronyn would also serve a musical purpose. In 2016 it was leased to Aeolian Hall for seven years, mainly to be used by El Sistema, Aeolian's free musical education program for children aged 6 to 14. This should have provided a long-term use for the building.

Unfortunately, the Aeolian's lease was not renewed, their offer to buy was turned down, and the diocese has not been able to sell the building. The result? Aeolian has moved its program to First St. Andrews United Church and Bishop Cronyn is now fenced off and used as a homeless shelter.***

First St. Andrew's 

 OK, so all is not a loss here. El Sistema continues and   First St. Andrews benefits instead of Bishop Cronyn.   First St. Andrew's is also a majestic building, worthy of   preservation. A homeless shelter, greatly needed in   these changing times, is certainly within the purview of   the Christian church. I'd just like to see a different, more   permanent use for Bishop Cronyn. I suppose that  will be   in a different world, one with fewer homeless and more   funding. 

 A more successful project is that of Metropolitan   United  Church, on the southeast corner of Wellington   and Dufferin. Built in 1895 and originally known as   First Methodist Church, it replaced Queen's Avenue   Methodist which had burned down. The style is   Romanesque Revival.

 Major renovations took place here in the fall of 2022,   providing the sanctuary with a stage. Now the home of   London Symphonia, Chorus London, and London Youth   Symphony, the church is another building serving  the   Christian and music communities. The project received   one of the Lieutenant Governor's Ontario Heritage Awards in 2023 as well as a 2023 London Heritage Award for Adaptive Reuse. 

Metropolitan United

Of course, the church as concert hall concept isn't new and isn't confined to London or Canada. Thirty years ago, when I was living in a different London, I noticed the number of historic churches also in use as music venues. In London, UK there's a great appreciation for centuries-old churches. While the city centre has few residents, it does have office workers, and I remember it was common for them to attend a concert on their lunch breaks. For examples, see the websites of St. Bride's  or St. Mary le Strand where they list upcoming recitals. Then there's St. Martin-in-the-Fields which gave its name to the famous chamber orchestra. There's also the former St. John's, Smith Square, damaged during the war. Rebuilt but not reconsecrated, it's also a musical venue.

Mind you, in the other London they have tourists from all over the world drop in to admire the history and architecture - and make small donations. And facilities like the macabre Café in the Crypt at St. Martin's are great for hungry sightseers. London, Ontario doesn't have these advantages - yet. But why not have a restaurant in the basement of Metropolitan, with a jazz ensemble to entertain on weekday noon hours? I can just picture the folks across the street at City Hall arriving in droves.

But certain questions come to mind: How many music venues does London need? Will the churches be remodelled tastefully? Can the concept be carried over into smaller churches in rural areas? Of one thing I'm certain - without these buildings, we will be poorer, both spiritually and architecturally.

* Quotes from here: https://www.cbc.ca/news/canada/london/proposed-plan-brings-new-purpose-for-london-s-oldest-cathedral-creative-incubator-1.7036203 

**https://lfpress.com/news/local-news/diocese-foundation-eye-creative-hub-at-st-pauls-cathedral

*** Personal communication, Clark Bryan, July 19. 2024.